You know how when you just wake up and know you have been dreaming but can not quite recall what? This happens to me A LOT. I often miss being able to have & hold the richness of this dream material as enjoyment, insight, material for creative inspiration and contemplation. There are lots of folks that will teach you how to recall night dreams more easily, and what do DO with them when you do. But that is not what happened this past week. Instead, the waking life I experienced became a vivid dreamlike journey of learning and discovery.
I had the pleasure of a series of teachings that relate to this "dream" we are living and dancing daily. The first was from a beloved wild woman Tibetan Buddhist teacher named Lama Lena. Each time I am in her presence she rocks my world in a most appreciated way. This time, she shared teachings about the way humans experience reality; often mentioning that this transitory & spontaneously arising dancing dream of life that we think we are experiencing is utterly empty in the most alive and brilliant way. She pointed to the mistake of dualism in a way that I could glimpse, and it felt both satisfying and disturbing. What are we do DO with this realization? Among the suggestions she offered, what struck me most keenly concerned why we make ART and why we PRACTICE to grow. Of course, this is what I THINK I HEARD HER SAY. Who knows really? She puts forth that there is NO THING to change or make better, to fix or understand. Art is a function and celebration of the spontaneously emerging RICHNESS of a creation that is ever arising from and dissolving into VAST LUMINOUS SPACE. It is delightful to engage in this richness, just as long as you do not try to KEEP it. That is where our suffering will begin. Enlightenment is and always has been and is already always present....and, if you do not see that or are not satisfied with your current experience then some spiritual (or freely fleeting spontaneous dance) practice could be a way to possibly increase that satisfaction. Not much to grasp onto to in all that, eh?
What I gathered is that our SPONTANEOUS DANCING FREELY & Embodied Art PRACTICES with nature (both human and non-human); can be an excellent way to promote being fully awake, engaged and perhaps even satisfied in this fleeting dream dance we call "life." Another way is to just simply NOTICE (and perhaps embody, engage with &/or experience gratitude in) the infinitely rich spontaneously arising dream dance that you are already, always engaged in....right HERE and NOW!! As I type this on computer I look out window and breath and relax my body noticing and appreciating the richness of many sensations. No matter whether you are "PRACTICING" or not. It appears, that our PRACTICES of letting go & dancing spontaneously tend to lead to more ease with dancing freely in every moment.
Next, I went to see a well-done local play about Gertrude Stein (who appears as a ghost throughout most of the play) and Alice B. Toklas (who appears sad and elderly throughout most of play). If not for the days first event with Lama Lena, I would have been very emotionally drawn into the drama of the play and these women's considerable attachments to one another, their reputations, and their formidable collection of art & artists. Instead, I sat watching my patterned reactions of how heart strings are plucked by certain situations like death of a loved one, acts of betrayal, cruelty, injustice, kindness, caring and so on.
Finally, we attended another inspiring/disturbing/hopeful talk by visionary economist Charles Eisenstein referring to his theories on how we got into this cultural & ecological nightmare of an economic crisis. He articulated the need for a GIFT based economy as a way to initiate and live in the world of our best dreams. I was grateful to have attended. It even shifted the way I request donations for Butopia's offerings at this point. It is preparing me to host our first Butopia Film Night at St. Peter's Lutheran Church in Clinton, WA... We will show the documentary movie "Living Without Money" about one woman who chose to live without money for over 15 years in Europe. I hope this will help instigate a local conversation about the possibilities and difficulties of a gift economy here. I also hope it will stimulate more participation in a wider range of volunteer gifting of goods & services locally. Life without money could be a dream come true, or it could be a nightmare...what do you think? Come join us on Feb 12 at 2-4pm. Bring something to GIVE AWAY!
Next, on the suggestion of a fellow MomoButoh Dance Co. member Melinda Harrison of Nautre Moves in Boulder, I went to San Diego to attend the Life Force International's first ever DREAM ACADEMY. That is California Dreamin' for sure! There are loads of folks living and wishing they were living their dreams everywhere! There were many people who have made small or large fortunes by referring others to the Life Force products, by enrolling others to become business parters and so on in this Network Marketing company that is now poised to explode with growth under the helm of MLM guru David Colister. having pictures taken with the sports cars and Rolls Royce in the parking lot, others of us gasping in awe at the grand opening of the MASSIVE new facility to hold future Dream Academies. Melinda's dream is that dancers will be healthy and financially independent and well provided for. Hope her dream comes true!
http://youtu.be/q3CbcS8z4SMIn a parallel universe in San Diego, I came down with a nasty flu. In the delirium, I lost my glasses so I could no longer see clearly or drive. Along the way, I met an exceptional cast of characters who live and work with butoh, local churches and the erotic dance business. I danced freely on the coastal beach and made the film below inspired by dream-like images in nature that struck me particularly strongly. The shadow of my body on the firm, flat sand, the roar of surf and ripples of waves spreading over the shoreline, a spontaneously knotted strip of kelp, the tiny bird footprints, flecks of gold dust in the sand, sculpture-like seaweeds dried & twisted, the sparkling shells, rhythms of footfalls and fingers dragging in sand.....all felt as reflections of an emerging dream dance life that I could only witness and be moved with gratitude and awe at the GIFT of it all.
Then today, I went out to dance on our local dreamy beach, Double Bluff. I was playing with as stone and seaweed when a private helicopter flew at me and started circling low just over my head, heading back and forth down the beach a ways and then returning to me. I spun and danced while it spun and danced overhead. Very surreal. Very much like a dream and certainly nothing I have ever experienced before. Life is but a dream dancing itself awake!
Thank you for reading, watching, dancing and dreaming. Hope you can come attend an event at Butopia soon. Love, Momo.
I consider SPACE to be the consciousness and awareness that we have of ALL The Elements in life and dance. If it were not for SPACE we would not have the context for our creations. Although MomoButoh Dance practice often occurs outdoors and in all sorts of elemental and day to day locations, the traditional dance studio SPACE with a wonderful WOOD floor remains a most heavenly canvas for creation in our profession. During this moon of The Elements; I see the countless ways that WOOD and SPACE have contributed to my being but, with our dark wet Pacific Northwest winter weather, the simple indoor studio SPACE with a WOOD floor to dance upon with others who wish to share that experience has been the most necessary and precious gem. A dream I intend to realize in 2011 is the creation of a MomoButoh Dance Studio. It is an actual place, build by hand, with a floor made of wood, it is circular or oval, light filled, cozy and spacious; it is set in a beautiful & private natural area with plenty of room for a group to train, retreat, perform, dwell and rest. Please help me hold this image and work to realize it this coming year so that we can begin retreats and training here in 2012!
A couple of weeks ago I attended a workshop with Karen Nelson about Improvisation for Performance. We learned and eventually performed the Tuning Score and Single Image Score originally conceived by Lisa Nelson. The videos below are excerpts from our public showing of the practice that included dancers and witnesses crafting the performance experience they desired by calling directions aloud during the dance. All of the scenes begin with the dancer entering with eyes closed. Mostly we had to sense the SPACE using our perceptions of sound, touch and motion from the response of the WOOD floor and furniture. If you listen carefully, you can hear the distinctive creaks and calls from witnesses. The call "Pause" means just that and "End" means to clear the space altogether. The call "Play" means to continue with the action, "Reverse" means to go backwards from that point; "Report" means to offer a verbal report of one's current experience; and "Replace" means to take the place of another person. Then at some point the vocal call "Open" means that the visual sense is brought into play or "Closed" means it is denied again. I loved how this score heightens dancers skills of perception and imagination by limiting some options such as movement and sight. When re-crafting the live experience into video it was fascinating how the practice seemed even stronger somehow on film given the relationship to the media (video & audio players) that was the origin of the metaphors of "pause," "play," "reverse" that we were exploring.
What does it take to survive? What is our most precious resource? Basic questions like this applied to The Elements Project are what stimulates me to action today....and every day (thanks to attending a "Dance Making for Performance" workshop with Karen Nelson using the Tuning Scorethis past weekend).
I would say that it takes paying ATTENTION to survive.
I would say that our most precious human resource is ATTENTION. Think of how often a child calls its care giver to attention. Think of how short life would be if we did not PAY attention. Ask yourself: To what and whom to I PAY ATTENTION? What and whom contains that sort of value for me. Where are my preferences and why?
Then in the context of the CALL that I made to you to join this current MomoButoh project about The Elements; notice what draws, hooks and holds your precious attention. How can you CALL, hook and hold the precious attention of others? What RESPONSE can you offer that would be worthy of that precious gift?
Our entire YearOfCo11aboration will be based upon this simple act of CALL & RESPONSE. One of us will send a message, others of us will pay attention and reply as we are moved.
One of our company members mentioned how collaboration is inevitable as her attention to something actually can manifest it in real-life experience. I wholeheartedly agree. This week, as I was preparing to initiate The Elements Project, I began to spontaneously receive (or maybe just notice more) offerings directly related to this theme. Here are two dance responses to Elements that arrived in the past few days. In this case the dancers placed themselves in proximity to the element and responded authentically and physiologically to it. Interesting they were both on RED EARTH.
Sent to Boulder Contact Improvisation community by Lindsay Sworski.
Sent to me by Juri Schmidt.
I believe we can actually MAKE REALITY by how we choose to PAY our ATTENTION. If we give our attention to the news of gloom and doom that is so overwhelmingly present in the main stream media; that IS the REALITY of the world we are living in. If we create our own NEWs Channel--ca11 it channel 11 if you like--that broadcasts daily reports (like the two above) of a good, true, beautiful & positive nature; an artful & abundant universe; the power of love and so on; then THAT will be our REALITY and daily (dance) experience. I am so grateful to be living an authentic, rich, soulful, creative and joyous life connected with many other body/soul friends who are beaming very similar channe11s to this one. What are your favorite news channe11s? Will you please become a trusted source; a news correspondent if you will, with us by sharing what you pay attention to during the YearOfCo11aboration?
There are infinite scores that can be developed to explore each theme for each moon of this YearOfCo11aboration. I have posted a possible score on the "Current Projects" page of this site. Some possible scores exploring The Elements are more imaginary, others more sensual. For example, take an imaginary journey through the channels that air travels in your physical body and be moved in response to the sensual experience of that. I hope that YOU will report on the scores that you devise so that WE can also try them and post our experiences with following those scores.
Here is a co11aboration that arose from the 5Rhythms class I attended this morning. There was a live trio playing percussion and fiddle, there was a room full of fellah dancers and there was a rare and fiery sun beaming outside the window. After 3 days of non-stop pouring rain and dancing inside a studio; I could not ignore the call to dance with the beams of our greatest FIRE in the sky. This is the resulting film from today's experience of exchange and channe11ing fire light and energy between earth & sky; between passing vehicles and breath; within & without the building and my body; between musicians & dancers....
If you enjoy the NEWS you see on this YearOfCo11aboration channe11 please "pay (ATTENTION) it forward" by offering comments; posting this site on FB, Twitter, your blog or wherever you usually get your updates on reality. Thank you & keep dancing freely!
The core of the 11/11 Salmon Restoration Project is our process of mating & dying. At this point we arrive at a spiral HOME where our collective sex & death leads to stillness and then rebirth. It is the essential re-turning point from/to which the salmon will always return. This film is taken at that point along our journey; perhaps the most potent experience of group unity and transformation as well as the densest sensual and emotional impact for all participant/witnesses. In our full body/soul surrender to this cycle of life; we intend to re-member all beings who have been injured by our human ignorance & greed. Please view this short film and share your comments about our emerging YearOfCo11aboration. If you feel resonance with this work and would like to participate more, receive our daily posts and/or be an on-going witness to share this global project; please add your email address in the form on upper right. Thank you.
You know how when you just wake up and know you have been dreaming but can not quite recall what? This happens to me A LOT. I often miss being able to have & hold the richness of this dream material as enjoyment, insight, material for creative inspiration and contemplation. There are lots of folks that will teach you how to recall night dreams more easily, and what do DO with them when you do. But that is not what happened this past week. Instead, the waking life I experienced became a vivid dreamlike journey of learning and discovery.
I had the pleasure of a series of teachings that relate to this "dream" we are living and dancing daily. The first was from a beloved wild woman Tibetan Buddhist teacher named Lama Lena. Each time I am in her presence she rocks my world in a most appreciated way. This time, she shared teachings about the way humans experience reality; often mentioning that this transitory & spontaneously arising dancing dream of life that we think we are experiencing is utterly empty in the most alive and brilliant way. She pointed to the mistake of dualism in a way that I could glimpse, and it felt both satisfying and disturbing. What are we do DO with this realization? Among the suggestions she offered, what struck me most keenly concerned why we make ART and why we PRACTICE to grow. Of course, this is what I THINK I HEARD HER SAY. Who knows really? She puts forth that there is NO THING to change or make better, to fix or understand. Art is a function and celebration of the spontaneously emerging RICHNESS of a creation that is ever arising from and dissolving into VAST LUMINOUS SPACE. It is delightful to engage in this richness, just as long as you do not try to KEEP it. That is where our suffering will begin. Enlightenment is and always has been and is already always present....and, if you do not see that or are not satisfied with your current experience then some spiritual (or freely fleeting spontaneous dance) practice could be a way to possibly increase that satisfaction. Not much to grasp onto to in all that, eh?
What I gathered is that our SPONTANEOUS DANCING FREELY & Embodied Art PRACTICES with nature (both human and non-human); can be an excellent way to promote being fully awake, engaged and perhaps even satisfied in this fleeting dream dance we call "life." Another way is to just simply NOTICE (and perhaps embody, engage with &/or experience gratitude in) the infinitely rich spontaneously arising dream dance that you are already, always engaged in....right HERE and NOW!! As I type this on computer I look out window and breath and relax my body noticing and appreciating the richness of many sensations. No matter whether you are "PRACTICING" or not. It appears, that our PRACTICES of letting go & dancing spontaneously tend to lead to more ease with dancing freely in every moment.
Next, I went to see a well-done local play about Gertrude Stein (who appears as a ghost throughout most of the play) and Alice B. Toklas (who appears sad and elderly throughout most of play). If not for the days first event with Lama Lena, I would have been very emotionally drawn into the drama of the play and these women's considerable attachments to one another, their reputations, and their formidable collection of art & artists. Instead, I sat watching my patterned reactions of how heart strings are plucked by certain situations like death of a loved one, acts of betrayal, cruelty, injustice, kindness, caring and so on.
Finally, we attended another inspiring/disturbing/hopeful talk by visionary economist Charles Eisenstein referring to his theories on how we got into this cultural & ecological nightmare of an economic crisis. He articulated the need for a GIFT based economy as a way to initiate and live in the world of our best dreams. I was grateful to have attended. It even shifted the way I request donations for Butopia's offerings at this point. It is preparing me to host our first Butopia Film Night at St. Peter's Lutheran Church in Clinton, WA... We will show the documentary movie "Living Without Money" about one woman who chose to live without money for over 15 years in Europe. I hope this will help instigate a local conversation about the possibilities and difficulties of a gift economy here. I also hope it will stimulate more participation in a wider range of volunteer gifting of goods & services locally. Life without money could be a dream come true, or it could be a nightmare...what do you think? Come join us on Feb 12 at 2-4pm. Bring something to GIVE AWAY!
Next, on the suggestion of a fellow MomoButoh Dance Co. member Melinda Harrison of Nautre Moves in Boulder, I went to San Diego to attend the Life Force International's first ever DREAM ACADEMY. That is California Dreamin' for sure! There are loads of folks living and wishing they were living their dreams everywhere! There were many people who have made small or large fortunes by referring others to the Life Force products, by enrolling others to become business parters and so on in this Network Marketing company that is now poised to explode with growth under the helm of MLM guru David Colister. having pictures taken with the sports cars and Rolls Royce in the parking lot, others of us gasping in awe at the grand opening of the MASSIVE new facility to hold future Dream Academies. Melinda's dream is that dancers will be healthy and financially independent and well provided for. Hope her dream comes true!
http://youtu.be/q3CbcS8z4SM
In a parallel universe in San Diego, I came down with a nasty flu. In the delirium, I lost my glasses so I could no longer see clearly or drive. Along the way, I met an exceptional cast of characters who live and work with butoh, local churches and the erotic dance business. I danced freely on the coastal beach and made the film below inspired by dream-like images in nature that struck me particularly strongly. The shadow of my body on the firm, flat sand, the roar of surf and ripples of waves spreading over the shoreline, a spontaneously knotted strip of kelp, the tiny bird footprints, flecks of gold dust in the sand, sculpture-like seaweeds dried & twisted, the sparkling shells, rhythms of footfalls and fingers dragging in sand.....all felt as reflections of an emerging dream dance life that I could only witness and be moved with gratitude and awe at the GIFT of it all.
Then today, I went out to dance on our local dreamy beach, Double Bluff. I was playing with as stone and seaweed when a private helicopter flew at me
and started circling low just over my head, heading back and forth down the beach a ways and then returning to me. I spun and danced while it spun and danced overhead. Very surreal. Very much like a dream and certainly nothing I have ever experienced before. Life is but a dream dancing itself awake!
Thank you for reading, watching, dancing and dreaming. Hope you can come attend an event at Butopia soon. Love, Momo.
