FreeSTYLE on 1/1/11 and beyond

Kazuo Ohno used the term "FreeStyle" very often when instructing us in butoh dance at his studio (photos here of Momo dancing "freestyle" in the Kazuo Ohno Dance Studio by Nobuko Shiga).

Now that we are investigating The Styles with MomoButoh Dance Company from 1/1/11 till 2/2/11; echos of his directions are repeating inside me. What is it to dance "freestyle?" On 1/1/11 at 11:11 am I initiated a dance improvisation ceremony to celebrate this New Year of E11evens. It included appearances by invited friends moving in all speeds, levels, styles, emotions and directions. It included passers by like a bird pecking at the vomit likely left by someones New Year's Eve revelation and a coffee cup carrying crow who knocked it percussively on the pavement; providing a soundtrack for our dance along with a jumbo jet flying low & slow over 11th street (we were on 10th & Pike) in Seattle. At about 6 min in, I encountered an unused cigarette and crumbled its contents in a circle on a dumpster, offering tobacco with prayers for a good year for all my relations. It was a magical and totally unplanned 11 minutes that culminated with dancing in an underground (literally) painting studio of someone I met right there on the street during the dance. It was all filmed.

Sadly, I did not immediately dowload the footage of this event and now must learn from my delinquency & mistake. My flip video camera broke on 1/6/11 just before I attended the Picasso exhibit at the Seattle Art Museum. I sent in the broken camera for a replacement (Technical Side NOTE: They are doing this for me even though it is NOT under warrantee anymore because we found the original receipt and they say I am a "valued customer", cool!! --this is ONE reason I suggest all DailyDance practitioners get a FLIP camera). I asked them to retrieve the films "stuck" on the camera, and will post it here if they do. But this will likely never happen. So, please use your infinite imagination to re-create in "freestyle" what this dance ceremony might have appeared like there in the bright sunshine, in front of a horse trough turned bamboo garden planter and a drive shaft handled metal doorway with a wooden barrel for a light fixture and sheet metal for a sign closed club entryway. A very urban STYLE place to begin 2011 for sure. One of the few human passers by happened to be my good friend from the dance community -Louis Gervais...what a blessing to have the likes of him be one of my first spontaneous dance partners for 2011!! It is going to be a very fine and WILD year of FreeSTYLE indeed. Can't wait for 11/11/11 of course....

And, regarding the "Freestyle" that Kazuo Ohno would regularly call out for, I believe this may be the MOST difficult thing to do in butoh, dance and life. How can we truly be free? What does that even mean? How can we dance and act free of conditioning, ideas of right/wrong, good/bad, self imposed constraints on our spontaneously emerging actions and creativity? It would be as if we were unrestrained and totally available puppets of unfolding Creation. On 1/3/11 I may have experienced a tiny and ecstatic glimpse into this while sharing a trio improvisation score with improvisational dance luminaries John Dixon and Karen Nelson. After an afternoon of Contemplative Dance Practice we discussed an experimental score whereby the only "rules" were to follow your "embodied impulses" and when finding you were NOT doing that (such as following a mental thought or idea of what to do/not do) then to PAUSE and begin again only from an embodied impulse. This may sound quite vague but what emerged was a rare revelatory and amazingly fulfilling experience for all of us. We shared a freestyle dance for about 30 minutes of what we agreed was almost total presence and direct communion with BEING (self, each other, god?) self-emerging in action through the body. I felt perhaps that this was what Kazuo had been trying to convey when he would repeat "FREESTYLE!!" (in English) over and over while we improvised during his lessons.

I would love to hear/see what you think/see is "FreeSTYLE"...I would love to hear what happened for you if you try the meditation/movement improvisation score I explained above. please offer a comment or blog response if you are moved. Thank you.

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The Elements Project: Flocking in Wind

SCORES with WIND & SPACE

Like a lifetime friend or family member, like our homes and our body itself; we often take The Elements and the vital role they play in our lives for granted. This past week with the full moon, lunar eclipse, winter solstice and a 4 day retreat with the Grandmothers to practice deepening our connection with AIR; I was reminded of the profound debt I owe to all of The Elements; but especially to AIR. I do not know any being who has given me, and all humans, as much as AIR. Just think that our life itself would not be possible, no atmosphere, no breath, no motion, no sound, no voice. If we lost AIR, even for 15 minutes, nothing as we know it would BE! Grandmother encouraged me to think back upon how air brought me to where and whom I am now. I envisioned the windy storm that brought my Irish ancestors headed for New York off course to New Orleans instead and led them up the Mississippi to begin farming in the mid-west. I remembered that it was "Spirit Wind" that led me to find Butoh when I was painfully forcing myself to complete a Broadway track theater MFA at an acting conservatory in Florida. I honored the relentless and unnerving gales in Port Townsend that blew me back to live on Whidbey Island where so much richness, healing, knowledge, love and balance that is my current life would never have been possible otherwise. I could not have flown through the air on the great metal birds that brought me to Japan, New York, Costa Rica, Hawaii and so on. If it were not for the motion of the AIR all of my travels and transformations would have stagnated.

I owe a great debt to my relation the AIR for sure. Grandmother asked my proposal of how I would take responsibility for that primary relationship. My answer involved daily dance, prayer and meditation practices recognizing and offering to The Elements AND....this project, the YearOfCo11aboration with MomoButoh Dance Company because it is one way I can publicly uphold and celebrate my lifetime commitment to love, honor and cherish The Elements with my words/thoughts/actions, till death do us continue to intermingle.

Last week at Centrum in Port Townsend, I attended the annual 3 day Contact Improvisation Jam. The spaces, events and company to dance with all day and night were so refreshing. After a good long lab session about the techniques of falling with grace in partnership, we scooted out to catch the wind and last rays of dusk on the bluff overlooking the Straight of Juan de Fuca. This Flocking Score was very spontaneous, totally not rehearsed or even spoken of before hand--as you can see by our actions; that our director Michal Lahav called "Beautiful foolishness." We were certainly influenced by the strong presence of the AIR in our shifting and waving flock going to and fro together as well as this vast venue of unbounded SPACE. The music was added afterwards as the wind sounds on the film were deafening and the dance matched so well with this live jazz.

Music: Ethiopiques Mulatu Astatque'

After the group flocking, I celebrated and gave thanks to our unseen partner, the WIND, with a short solo/duet just between us. It is strange how much enjoyment and love I feel for the wind on one hand and on the other hand my unsettled feelings with this very same wind that drove me away from living here in Port Townsend. I guess that kind of ambiguity and paradox is the nature of any long term committed relationship, and certainly with this one I have with the WIND.

The Elements Project: WOOD & SPACE

"For a dancer, God is Space." -Yoshito Ohno

I consider SPACE to be the consciousness and awareness that we have of ALL The Elements in life and dance. If it were not for SPACE we would not have the context for our creations. Although MomoButoh Dance practice often occurs outdoors and in all sorts of elemental and day to day locations, the traditional dance studio SPACE with a wonderful WOOD floor remains a most heavenly canvas for creation in our profession. During this moon of The Elements; I see the countless ways that WOOD and SPACE have contributed to my being but, with our dark wet Pacific Northwest winter weather, the simple indoor studio SPACE with a WOOD floor to dance upon with others who wish to share that experience has been the most necessary and precious gem. A dream I intend to realize in 2011 is the creation of a MomoButoh Dance Studio. It is an actual place, build by hand, with a floor made of wood, it is circular or oval, light filled, cozy and spacious; it is set in a beautiful & private natural area with plenty of room for a group to train, retreat, perform, dwell and rest. Please help me hold this image and work to realize it this coming year so that we can begin retreats and training here in 2012!

A couple of weeks ago I attended a workshop with Karen Nelson about Improvisation for Performance. We learned and eventually performed the Tuning Score and Single Image Score originally conceived by Lisa Nelson. The videos below are excerpts from our public showing of the practice that included dancers and witnesses crafting the performance experience they desired by calling directions aloud during the dance. All of the scenes begin with the dancer entering with eyes closed. Mostly we had to sense the SPACE using our perceptions of sound, touch and motion from the response of the WOOD floor and furniture. If you listen carefully, you can hear the distinctive creaks and calls from witnesses. The call "Pause" means just that and "End" means to clear the space altogether. The call "Play" means to continue with the action, "Reverse" means to go backwards from that point; "Report" means to offer a verbal report of one's current experience; and "Replace" means to take the place of another person. Then at some point the vocal call "Open" means that the visual sense is brought into play or "Closed" means it is denied again. I loved how this score heightens dancers skills of perception and imagination by limiting some options such as movement and sight. When re-crafting the live experience into video it was fascinating how the practice seemed even stronger somehow on film given the relationship to the media (video & audio players) that was the origin of the metaphors of "pause," "play," "reverse" that we were exploring.

Ca11 and Response

What does it take to survive? What is our most precious resource? Basic questions like this applied to The Elements Project are what stimulates me to action today....and every day (thanks to attending a "Dance Making for Performance" workshop with Karen Nelson using the Tuning Score this past weekend).

I would say that it takes paying ATTENTION to survive.

I would say that our most precious human resource is ATTENTION. Think of how often a child calls its care giver to attention. Think of how short life would be if we did not PAY attention. Ask yourself: To what and whom to I PAY ATTENTION? What and whom contains that sort of value for me. Where are my preferences and why?

Then in the context of the CALL that I made to you to join this current MomoButoh project about The Elements; notice what draws, hooks and holds your precious attention. How can you CALL, hook and hold the precious attention of others? What RESPONSE can you offer that would be worthy of that precious gift?

Our entire YearOfCo11aboration will be based upon this simple act of CALL & RESPONSE. One of us will send a message, others of us will pay attention and reply as we are moved.

One of our company members mentioned how collaboration is inevitable as her attention to something actually can manifest it in real-life experience. I wholeheartedly agree. This week, as I was preparing to initiate The Elements Project, I began to spontaneously receive (or maybe just notice more) offerings directly related to this theme. Here are two dance responses to Elements that arrived in the past few days. In this case the dancers placed themselves in proximity to the element and responded authentically and physiologically to it. Interesting they were both on RED EARTH.

Sent to Boulder Contact Improvisation community by Lindsay Sworski.

Sent to me by Juri Schmidt.

I believe we can actually MAKE REALITY by how we choose to PAY our ATTENTION. If we give our attention to the news of gloom and doom that is so overwhelmingly present in the main stream media; that IS the REALITY of the world we are living in. If we create our own NEWs Channel--ca11 it channel 11 if you like--that broadcasts daily reports (like the two above) of a good, true, beautiful & positive nature; an artful & abundant universe; the power of love and so on; then THAT will be our REALITY and daily (dance) experience. I am so grateful to be living an authentic, rich, soulful, creative and joyous life connected with many other body/soul friends who are beaming very similar channe11s to this one. What are your favorite news channe11s? Will you please become a trusted source; a news correspondent if you will, with us by sharing what you pay attention to during the YearOfCo11aboration?

There are infinite scores that can be developed to explore each theme for each moon of this YearOfCo11aboration. I have posted a possible score on the "Current Projects" page of this site. Some possible scores exploring The Elements are more imaginary, others more sensual. For example, take an imaginary journey through the channels that air travels in your physical body and be moved in response to the sensual experience of that. I hope that YOU will report on the scores that you devise so that WE can also try them and post our experiences with following those scores.

Here is a co11aboration that arose from the 5Rhythms class I attended this morning. There was a live trio playing percussion and fiddle, there was a room full of fellah dancers and there was a rare and fiery sun beaming outside the window. After 3 days of non-stop pouring rain and dancing inside a studio; I could not ignore the call to dance with the beams of our greatest FIRE in the sky. This is the resulting film from today's experience of exchange and channe11ing fire light and energy between earth & sky; between passing vehicles and breath; within & without the building and my body; between musicians & dancers....

If you enjoy the NEWS you see on this YearOfCo11aboration channe11 please "pay (ATTENTION) it forward" by offering comments; posting this site on FB, Twitter, your blog or wherever you usually get your updates on reality. Thank you & keep dancing freely!

"Fire in the Sky"

Live music by Joseph, Rachman & Elaine